• fourth installment from the artist and label.
• other titles have sold out fast - don t be left out...
• special hand stamped white label release a fast paced aggressive a1 made of fast 1/8 note kick drums spliced with distorted pad sounds and distinctive snare. the a2 is a broken beat affair with evolving percussion and a rave line that will cut through in any mix. b1 is papers signature acid jam, simple but effective. b2 is a unique beast, with locked rhythms and distinctive arp synth line...

hardmoon london is a new independent platform solely focused to release music by the analog militants who are struggling against the loudness war of digital industry and want to spread the love of that warm, distorted sound exclusively through vinyl or special tapes. the tracks we are going to release are recorded directly on tape without the help of computers, so that interference, mistakes, and noise are all going to be apart of whatis pressed straight onto the 180 grams of throttling hammers grinding away. it is all enclosed within in a special printed sleeve! the first release comes by way of courtesy from the mysterious hissman who captures, with his name, the vey essense of the tapes sound: hissssss... that is the sound you hear when a tape starts rolling.

following his well received fabric mix comp in december 2013, ben sims returns to his own theory imprint with yet another ring release in the form of *reflection*, which features two original new tracks, a remix from rod and a vinyl exclusive. the eponymous opener is a strident, 909 + 707 driven affair that fuses overlapping, stereoscopic tones to a gently distorted and brutalist groove that sits somewhere between dance mania and detroit. *break glass* is the second original on offer and has been a heavily requested track for the past few months. the perfect partner to *reflection*, *break glass* is similarly overdriven but heavy on the sort of mechanical funk that sims does so well. rods version of *reflection* is a linear assault which ebbs and ows with purpose throughout a linear and intense arrangement while sims remix of *break glass* zeros in on bone rattling percussive aesthetics and vox samples, in much demand after featuring on his fabric mix cd.

an explosive caustic acid concoction awaits from within the grooves of this gargantuan twelve inch from chicago heavyweight, hieroglyphic being. free the energy (no vocal energy) is highly volatile, with severely unforgiving and distorted drum programming, this violently radioactive adventure is nothing short of brutal and certainly not for the squeamish. title cut, acid rain under the stars paints a dreamy landscape, while the acidic protons and neutrons busily rebound in the background on this elongated, hypnosis inducing and beautifully mind-distorting headtrip. straight outta nowhere like an atom bomb!

the central executives what can we say ? not much as it turns out - the generally very forthcoming golf channel crew are remaining tight-lipped about the architects of this, frankly mind-blowing debut long-player from this new nyc collective. a walk in the dark is exactly that, a situationist song-sheet & sonic chaperone to guide us through the back street escapism these troubled times demand. from gently over-driven punk funkin mascara stained hymns, to house that has been thoroughly smudged to the edges of its live music incorporating limits. sitting very comfortably, in a moment of stewed elevation alongside sound signature style machine jams, bare bones vocal led improvisations, discordant arthur russell moments & the distorted reflections of roots house that run to the very core of the big apple. a drop-jaw debut then, that wears its influences proudly, but takes them somewhere entirely new.

starting off 2014 with an italian/manchester collaboration - the 3rd release on el diablos social club sees dj rocca (ajello, erodiscotheque, crimea x) & chris massey (electric elephant, paper recordings) join forces to bring us a selection of spaced out, chuggy goodness with just a bit of a nod to certain croatian festivals. drug chug kicks things off with a plodding 4/4 infused with cosmicesque swooshes & whooshes along with a bassline to rattle the funktion ones. whilst synths reminiscent of the time & space machine add that much needed touch of psych to proceedings. shone takes the party to late night in the club where spiky 909 percussion meets chunky analog basslines before dropping in with distorted & reverb drenched piano chords that guarantee to leave a lasting impression on both the head & heart! remix duties come in heavy on this release with craig bratley dusting drug chug with his own style of studio fairy dust to knock it up a notch that will surely please those who have followed his sounds on andrew weatheralls bird scarer imprint, robsoul, foto, is it balearic, instruments of rapture and his own magic feet label. lastly edscs very own head honcho neil diablo tackles shone and lays off the epic-ness and brings a straight up basement chugger. this release has grit & oomph balanced with a good helping of sunshine infused warmth that will ensure its place in the boxes of both house heads & balearic boys all over!

rhythmic theory makes his debut for happy skull with two of his darkest, otherworldly productions yet. >decadance of delay< is an unflinching sprint into techno-jack territory, all distorted machine rhythms, hallucinatory whispered vocals and hypnotic electronics.>endocrine creeatures< is a dystopian blast of 808 electro built around titanium-clad kicks, snappy snares and rippling acid lines

(vinyl only!) labels first ep, containing 3 rugged and driving tracks for connoisseurs of a harder, distorted sound.

amazing raw and distorted techno stuff on grey marbled 12 inch vinyl, hand stamped and hand numbered. vinyl only release, limited to 150 copies!

the self titled debut ep of the ever so spaced out efenkei on soul notes is the 4th installment in a series of distorted intergalactic house/techno jams

vinyl only, 180 gramm black repress. echo inspectors have delivered yet another lush dubby number in the form of >apparition< this figure brokenly weaves through the shadows before finding its stride - this approachable entity wants to return, shall we oblige? it is with great excitements that we receive one of our long time heroes to the primary family. rising from the shadows is the one and the only dean decosta. thought to have left the fellowship, >apparition<, while surprised to hear deans calling, is familiar with his energy. a more aggressive interpretation is adopted for the crossing over. >apparition< attempts to break the line, struggling to take breath with its grittier, darker, distorted frequencies it continues to form as the energy builds.

waxing egos ep is system2s debut release.waxing egos is an electronic/techno rolling 909 inspired track. with a distorted bass & clean drums, weird builds & simplistic drops the track is an up tempo stomper

4th title from this great collaborative techno label from london, another fine bundle of established artists go head to head... bros004 brings together two legends of the techno world mike parker and paul birken. they have created a track that is a minimal system killer, driving forward with pure subtly thats hypnotising as well as forceful. on the flip side greg shappert (donor) and bill youngman move and step around distorted drums and synth lines creating a never ending in your face techno track!

the analogue cops present a fine 4 track ep for hypeltd, *in plain clothes* ep is raw, distorted and heavy, just the way we like it. the italian team have already caught our ears with releases on bass culture, bleep and their own restoration records, and collaborations with the likes of blawan, ryan elliot and alex picone.

bow ep, the 5th modal analysis release, delivers two cutting-edge techno tracks from the manchester-based duo and, as well as a remix by russell haswell. bow #1 and bow #2 highlight the distorted broken-beat style that and specialize in. completing the record is haswell, who displays his own harsh, rhythmic noise aesthetic with a decomposition of bow #1.

studio bruno is the joint project of johannes beck as well as his friend musicians and producers. the concept of studio bruno is based on a one week stay at studio bruno in an old farmhouse in steigerwald, franconia, a lovely nature park in north bavaria, where each musician invited brings a machine or an instrument of his choice. the focus of that week is the common producing and live improvising.for the first record steffen bennemann (nachtdigital) and sevensol (kann) were invited. sevensol brought his tr-707, his monotron delay and steffen bennemann came with his field recorder. the result of this one-week session is a deep house track with a distorted synth line and a krautrock-slash-funky jazz track!

in their most furious release to date, blank code presents the strumpet ep. kicking off with the distorted dirty stomp of the original mix, drumcell and material object let loose this dark gem that thunders forth the forgotten language of noise. crowned with explosive hi hats, strumpet seems to tear through any speaker it touches.

vinyl only, 180 gramm pressing, yellow vinyl and strong limited. echo inspectors have delivered yet another lush dubby number in the form of >apparition< this figure brokenly weaves through the shadows before finding its stride - this approachable entity wants to return, shall we oblige? it is with great excitements that we receive one of our long time heroes to the primary family. rising from the shadows is the one and the only dean decosta. thought to have left the fellowship, >apparition<, while surprised to hear deans calling, is familiar with his energy. a more aggressive interpretation is adopted for the crossing over. >apparition< attempts to break the line, struggling to take breath with its grittier, darker, distorted frequencies it continues to form as the energy builds. this is a special ltd release of only 200 – one for every bag! early, late or otherwise.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

first release of the voitax techno series. hard and distorted techno, heavy drones and ambient-ish tracks.

killekill 014 is being delivered by alex cortex. on the a-side hyperfocus combines a heavily distorted kickdrum with uplifting trance chords and a breakbeat feeling as if this was the most normal thing in the world. the result is an outstanding anthem that can be used on all floors, whether they are techno, house or breakbeat.by force of attrition is a typical alex cortex-track, driving and static at the same time, slowly moving, hypnotic and deep. the b-side features a remix of hyperfocus by skudge. the swedish duo recently released an ep of alex cortex on their label skudge presents and in return remix this track here for killekill. they extract the breakbeat sounds of the original and use them for a warm minimalistic house tool driven by a smacky wooden snare.

visionquest 033 is brought to you by the unique sonic voice of hamburg trio wareika, who weave a distorted jazz looseness into the pulsing and ever-evolving analogue framework of madame scorpion. a teasing raw live composition with a tribal heart, the undulating percussive groove rolls beneath haunting strings and an expanding soundscape until space opens up for a rising melody and florians deep absorbing vocal. veteran german house producer henrik schwarz turns in a magnificently wonky remix on the flip.

- superb new label project from shifted & sigha...
- features full picture outer sleeve and printed innersleeve. a fusion of like minds, shared ideals and distorted electronics.

special hand stamped white label release - more info to follow, an acid tinged club track, distorted broken beats and a pulsating driver make up the debut papers ep, papers is made up of two brothers from london who like paper in all its forms.

dj rocca kicks off his new release with a bouncy, deep and machine driven track laced with occasional synth stabs and highlighted with simple but effective percussion. next up is a wonderful track weaving in out of a harmonic house theme and a synth heavy banger. this tune will definitely drop some jaws and raise some eyebrows on the dance floor with dancers mesmerized by the lightness with which rocca switches up the game in one tune. to finish up the ep the b-side serves up a house heavy theme with a slightly distorted vocal and a more psychedelic slow jam perfect for the next late-late session.

3 tone dorsal fin, a new international band from berlin is pleoavcee from san diego, djcksatron from dallas, nora lune from switzerland and the producer count frankula also known as frank muller or beroshima: glistening is a tingling feeling in the skin as well as being perceived by sight or the hairs in your ears. perception of a sensation throughout our whole body - says the artist. lets see. listen up. or glisten up! all introduced by a distorted pitched alien space child rambling incoherently until shaken up by hesitant laughter. raps that rhymes euphemism with hypnotism and swagging with lagging better be good.

the a side opens with redence delusions introduced by a delay metallic notes, and a line grating background that give entry to a hard nut to crack hype joining the above sequence to form the groove. the delays become more important as the track progresses, and more incisive percussion, dance inducing wilder. the second track on this side sagae has been granted to tomohiko sagae, the japanese producer emerges on the scene to give it a fresh industrial sounds dark dye forcefully included. catalog is part of the prestigious british label rodz-konez, in addition to works published in huehelix and atrocity. we present a cut with a pounding bass drum rhythmic against a distorted sequence taken from a radar air booming steel industry, and dark piercing screams that increase the intensity of its entirety through the plug-in more severe. a full-blown rebellion industrial sounds with those harmonics so peculiar that offers japanese school.

in the fourth chapter of shaded records denizo continues his journey through the maze of sounds and moods where images and textures get distorted by surrounding architecture. ancient window of the hermitage gives us entrance into the space of 4 stories. edenic dub immerses us within the atmosphere of rolling chords and melancholic melody leads further with heavy roar.

transparent turquoise vinyl. dev pandya drops his 149th career vinyl in the shape of the b-boy hip hop influenced drum machine. sharp breakbeats step forward, sideways and roll with female rap vocals that get the feet shuffling to drum machineÆs unique groove. rumbling subs and cuts of distorted bass hold everything bolt tight with intricate effects, stabs and vocal riffs. random twists and turns lead the mix into a vocal breakdown where the drums u-turn into a funk assault of drum and bass. the flipside core jungle highlights paradoxs early hardcore roots with vinyl-rip samples, crunchy funk breaks and raggamuffin fx delays that take you back to the birth of pandyas jungle influences. core jungle was written specifically for vinyl mastering and will not be available digitally. exclusively for the analogue crew!
support: marcus intalex, friction, dj marky, loxy, london elektricity, presha, naibu, bailey, flight, asides, amit.

20 years ago the track *unfuture*, release on sven väths imprint eye q, marked a milestone in techno productions with its uncompromising style and sound, delivering a view on techno which was revolutionary at that time: stripped down to only a couple of sounds in general, the track had an impact on dancefloors as not often seen before in those trance-dominated times - and still has! alex grabbed the vinyl out of his vinyl-collection after years, did an edit for his own, sent it to pascal feos who produced the original back then and who really liked this edit and the idea in general, and so alex decided to start a remixproject on this pure classic track with young, but also established artists who were not afraid of taking the adventure to remix a track that actually consists of nothing more than a distorted kickdrum, a really monotone off-beat organ sound and an oldschool acidline. here we are with the first part of the repaints of this alltime-classic, coming from uk techno-heavywight and legend mark broom with two interpretation as well as berlins uprising and promising vault-series mastermind subjected. true and high class recycling again on credo to save our planet from bad music

as a prelude to the upcoming release of legendary technoist kirk degiorgios sambatek project, far our has brought together a globe trotting cabal of techno auteurs to remix selected tracks from the album delivering a straight up club kut 12 inch of pure sonic devilment. from detroit don rick wilhite, fresh face barcelonan duo nx-1 and londons mercurial post sub innovator spatial, these remixes take the sambatek template and filter it through the producers distorted visions of what carnival at berghain sounds like.

the next vinyl-only release on candela rising is a 3 track ep from irish duo dara smith & ian mcdonnell, a.k.a lakker. all topped off with a remix of the title track by us born and birmingham based dj skirt. after a string of extremely successful releases on blueprint, killekill and an early 2013 release in the shape of a remix for stroboscopic artefacts, lakker are back and showing more range than ever before. coal bath is a real frankensteins monster of a track, a techno/garage hybrid with haunting vocals hiding through the middle and broken beats that hit hard. skirts remix takes coal bath and lays down some heavy demented bass, chops up the middle and grooves things up. all of which leaves a remix ready for the bunker or warehouse. on the flip, rsspstp is a heavy hitter. distorted bangs set the pace for this one, which evolves into a prime example of the attention to detail lakker are so famed for. machine music at its best. the final track on the ep, brood, is dark and dense, full of cold atmosphere, sub-low beats and distant, distorted drones. techno for the darkest floors ...

deadly poison is the fourth installment of st petersburg-based producer sanys on discerning downfall theory series. retaining to the a/b format and treading a heady, analogue-hued line with releases thus far on predecessors control freak / event horizon, forward thinking logic and daily situation which supported a stunning rework from chicago-based, detroit-born producer alex israel, deadly poison continues to march on in gritty, idiosyncratic fashion only this time fractioning off and multiplying into four distinct, yet symbiotic floor workouts. on the a-side hired guns kicks off with no-holds barred, full-on weighty bass weaponry before grab them back in reins things in, just a little: a dystopic soundtrack full of clanging machines rung through with the filmy dread of a waning humanity. on the b-side concern continues in plain rude as distorted vocals are twisted into evil barks and plied with itchy hats to warning chimes and a bounding bassline in this weird and wonky builder. down and dirty then concludes—as the title suggests—in deep, raw analogue terrain. having already caught the attention of people like blawan, rivet and brendon moeller, deadly poison consolidates sanys skills as a one to watch maker of provocative, sensitive and fiercely independent dance music.

two thirds of the hypercolour label team, alex jones and ste roberts, present the first initials 12 inch of 2013 in the form of shard in the hole by blue & green. otherwise known as bareskin & j.wiltshire, blue & green have already developed respectable reputation for themselves. bareskin, aka 19 year old josh thompson from winchester, has set his stall out with non-standard house workouts for losing suki and hypercolour while j.wiltshire has an imminent ep for the prolific imprint.as with previous initials releases,shard in the hole has a techno leaning stance, albeit one with a far from purist outlook. the title track is a broken 4:4 track that builds towards a solitary pulsing bass note and skittering high end percussion and arpeggios. bring me down on the flip is a housier groove complete with an unnerving bassline and clipped vocal samples complimented with distorted washes and theremin-esque tones.

from the depths of the cavernous restoration headquarters comes the debut album from the notorious analogue cops and marks their return to the infamous berlin imprint. after a busy 2012 curating the third side project together with steffi, the duo pair up for this filthy, distorted and crackling collection of hardware oddities, body stompers and circuit-bending analogue excursions built for total dance floor annihilation....

the amazing desonanz strike back on starkstrom schallplatten, delivering 3 bass-heavy, distorted monster tunes that will tear any dancefloor into pieces. definitely a true weapon in the hands of any serious djs !!

ethereal, haunted deep house music from beyond the grave, spirit-channeling from the deepest recesses of electro-spiritual obscurity. the slow to speak label presents its latest offering—a residual of the holy-era of the ny underground continuum, conjuring the ritual and pomp of the new electronic goth without abandoning its undeniable roots in the techno/deep house story. dark-matter melodies interlock in an ever off-centering orbit of sparse percussive return, while the distorted exhortations of some wandering intergalactic phantasm whisper menacingly just beneath the surface. trance-inducing, strangely unsettling and ultimately transcendent—further evidence that electronic music can transport its listeners into the fertile pastures of the sublime like any other high art. clear vinyl pressing with japanese obi.

is he good - or is he wicked? - with this quote from alice in wonderland, clemens started his highly acclaimed fÖn records series in 1996. 2013 neufeld is back and taking raw acid techno to the next level. wicked is a bass heavy straight banger for the big floors, driven by haunting distorted off-beat percussion and naughty 303 bassline action.us-techno legend angel alanis, true master of disaster since his early works on woody mcbrides offshots, totally destroys it with a super ruff earthquake bass monster. nobody less then gez varely aka g-man, legendary half of the techno pioneers lfo from leeds, uk, provides another remix in his very own flavor - deep, dubby and hypnotic - a guaranteed floor filler. recorded in vienna(a), indianapolis(usa) and leeds (uk.

incl. matthew styles remixes! its with great pleasure that we welcome franck roger with his debut tsuba release dont u know. franck is one of house musics most revered names with a production career that amoungst others spans releases on desolat, circus company and his own real tone imprint. dont u know centers around a vibey chicago bassline & tripped out distorted vocal. for the remix matthew styles, one of our favourite producers, gives two versions, a jackin club mix and a deeper dub.

dapayk with a new freaky solo project on snork enterprises. three tracks which are out of a snorky evil underground world, dark, groovy and distorted. dapayk with a new freaky solo project on snork enterprises

parisian techno enfant terrible mondkopf makes a rare excursion away from his fast rising in paradisium imprint to deliver an ep for perc trax, a label that clearly shares mondkopfs love for the experimental, the industrial and the distorted. across these three tracks the french producer applies an overdriven, fuzz-heavy aesthetic to symphonic broken beat techno. think ancient methods or perc at their most uncompromising but then expanded in every direction heavier bass, sharper highs and an orchestral edge that is epic without ever coming across as contrived.

raw stomping, distorted stepping, industrial atmospheric techno jam

excellent release by mas teeveh. dark, distorted & industrial warehouse techno. including a great remix by mattias fridell. the ep will be coming on limited green & black marbled vinyl!!!

standout track taken from don ninos latest album >in the backyard of your mind< (released in may), >beats< is about to take over your turntable for good thanks to three new remixes at the crossroads of the indie-pop and electronic music genres.
the original version of >beats< is a freaky and well-balanced piece of folk music. its lyrics are about body transportation and spiritual dematerialization. but in the hands of chloe, turzi and cubenx the beat boxes substitute the drums, the vocals get distorted, the track deconstructs itself as well as the walls fall between the genres.

truss returns to sighas fantastic label ! twice hand-stamped, black label package with 24 x 12 inch folded poster in a poly jacket ! truss continues his recent run of form with a 12 inch on our circula sound that demonstrates the depth and breadth of his palate. audens slow burning groove and metallic dub call to mind silent servants historia y violencia imprint, while splots distorted kicks and frantic pace blur the lines between truss sound and his current mpia3 project. a huge mpia3 remix of beacon takes over the b side for maximum acid damage

ltd black repress!!! early sähkö / seico corp inspired goodness from new project, shadows. avian moves on from the last two highly successful releases by londons mpia3 with a new project from undercover operatives, shadows. taking cues from early sähkö or seico corp records and putting a modern twist on it, shadows first ep for avian features two bruised & scorched original productions as well as a reinterpretation by new yorks mike parker who takes distorted images and reconstructs it in his own typically restrained but super effective style.

repitch returns with a strong 3-tracker ep from the high-acclaimed british duo and, enhanced by a remix that comes from semantica s boss svreca. the release starts with a catchy techno track that got its strength in an endearing melody and a reassuring breath-alike sound that bring us positive vibes. in the a2, svreca puts the a1 track into a black tunnel. claustrophobic atmospheres, blind and disorienting sounds with a circular attitude that you ll not see the end. on the flip, the b1 would be the pick for those who want to destroy a dancefloor. straight and distorted beats are followed by sinister whistles, pressing and complex hi-hats layers culminating in a punishing melody.

we are proud to present the third full-length album of octave on nachtstroms sister-label. the album will be released on 2 parts and will be loaded with a total of 12 tracks full of dark, industrial, distorted soundscapes and banging, twisted grooves that turn this album into something very special and unique! limited edition white vinyl on the first pressing - part 2 will be coming soon!

dailybread series part 2 - deathmachine! from the darkness give us indescribable kicks and snares with the distorted breaks only to be pierced by a killer synthline falling in to make it a complete masterpieces tune. its definitely track that will wake up every dancefloor and wont let people left it. flip it over for genetix, this one committed to pushing heavy and precise dancefloor beats to the next level. limited edition of red vinyl!